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Christ on a Donkey: Palm Sunday, Triumphal Entries, Wooden Donkeys, and Blasphemous Pageants

November 2, 2015 @ 3:30 pm - 5:00 pm

Portrait image of Max Harris standing outdoors wearing a dark blue sweater and windbreaker.
Monday Seminar:

Max Harris

Solmsen Fellow (2015-2016)

Independent Scholar

 

How did Charlemagne confuse Palm Sunday processions and triumphal entries? Why was the early Quaker leader James Nayler charged with blasphemy for riding a horse into Bristol? Was he imitating Christ or mocking Oliver Cromwell? Why were life-size processional images of Jesus on a donkey vandalized both by sixteenth-century Protestant iconoclasts and by eighteenth-century Roman Catholic archbishops? My presentation explores Palm Sunday processions and other public representations of Christ’s entry into Jerusalem as embodied sites for the celebration, display, contestation, diffusion, and mockery of religious justifications for war and other exercises of power.

 

Max Harris is an independent scholar and Executive Director Emeritus of the Wisconsin Humanities Council. He has taught at the University of Virginia and, as a visiting professor, at Yale University. He is the author of five books: Theater and Incarnation (1990, 2nd ed. 2005), The Dialogical Theatre (1993), Aztecs, Moors, and Christians: Festivals of Reconquest in Mexico and Spain (2000), Carnival and Other Christian Festivals: Folk Theology and Folk Performance (2003), and Sacred Folly: A New History of the Feast of Fools (2011). His work has won the Otto Gründler Book Prize, and (twice) the David Bevington Award for the Best New Book in Early Drama Studies.

Details

Date:
November 2, 2015
Time:
3:30 pm - 5:00 pm
Event Categories:
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Venue

University Club, Room 212
432 East Campus Mall
Madison, Wisconsin 53703 United States