Sembawang’s Malayali Settlement: Fiction, Memoirs and Literature as Inter-Asian Method

@ 3:30 pm - 5:00 pm

Image of an exhibition advertisement outside the Indian Heritage Center, Singamore.
Photograph by Darshana Mini. Entrance to “Ente Veedu, My Home: Malayalees in Singapore” Exhibition. Indian Heritage Center, Singapore. June 12, 2024.

Darshana Sreedhar Mini

UW–Madison Race, Ethnicity, and Indigeneity fellow (2024-2025)

Assistant Professor, Department of Communication Arts; Teaching Faculty, Center for South Asia; Affiliate Faculty, Center for Visual Cultures; Affiliate, Gender and Women’s Studies, UW–Madison

Sembawang’s Malayali Settlement: Fiction, Memoirs and Literature as Inter-Asian Method

In this paper, I locate the longer histories of migration of Indian indentured labor to Malaya and Strait settlements through an analysis of Kamaladevi Aravindan’s Sembawang: A Novel (2020). Looking at events around the British naval base, Sembawang sheds light on subregional sentiments over linguistic and cultural uprooting, while attempting to respond to questions of belongingness and assimilation. What do such works, and the historical contexts they deal with tell us about the ways the undercurrents of inter-Asia formations were scaffolded into the discussions on regional identities in estate labor? Further, how might such works supplement our understanding of migrant histories as they remerge in the contemporary moment of a Singaporean-Malayali diasporic memory boom?

Darshana Sreedhar Mini is an Assistant Professor at the Department of Communication Arts, University of Wisconsin–Madison. She is the author of Rated A: Soft-Porn Cinema and Mediations of Desire in India (UC press, 2024) and co-editor of South Asian Pornographies: Vernacular Formations of the Permissible and Obscene (Routledge, 2024). She is currently working on her book titled Telegeographies of Indian Migration: Media as Transregional Homemaking. Her research interests broadly include South Asian Cinema, Feminist Media, Global Media Cultures and Migrant media. Her work has been published in Feminist Media HistoriesCommunication, Culture & Critique, Film HistoryPorn StudiesBioscope: South Asian Screen StudiesSouth Asian Popular Culture and South Asian Film & Media.

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