The Costs of the Gig Economy

This is the orange book cover which features an illustration of a saxophone, guitar and drums behind the title of the book "The Cost of the Gig Eceonmy"

Falina Enriquez‘s most recent book, The Costs of the Gig Economy Musical Entrepreneurs and the Cultural Politics of Inequality in Northeastern Brazil was recent published by university of Illinois Press. Falina Enriquez was REI Fellow at the IRH in 2018-2019 while she was working on this book project.

Synopsis of The Costs of the Gig Economy:

Institutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties.
Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt “neutral” market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city’s cultural roots to global markets and consumers. Enriquez also links the artists’ situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification.